![]() ![]() When Mario donned his famous raccoonlike Tanooki Suit in one crucial action sequence, I let out an involuntary yelp of glee.īut my role here is less to count off nerdy references for elder Millennials like myself and more to evaluate this film on its own terms. I got goosebumps at a couple of cues in the soundtrack that pull from the legendary Koji Kondo’s original theme music. I was happily surprised by the appearance of Kamek, a bespectacled turtle-wizard that is hardly among the games’ A-list ensemble. I’ve been playing the games for as long as I’ve known how to work my opposable thumbs, and I’m not above being pandered to. It’s a 92-minute injection of kid-friendly joy that whizzes by fast enough to keep adults from getting enraged or bored. The film comes from Illumination, the animation studio that has long pumped out movies featuring the Minions, those cute canary-yellow imbeciles who are chemically designed to delight children. It is cheerfully animated and deeply committed to a world that audiences might recall from playing any one of the franchise’s games over the past 30-plus years. The film is a fascinating failure but a failure nevertheless, a baffling effort to plumb deeper into the tale of, well, a pair of heroic plumbers. The result was strange and ambitious: A British character actor took the title role Bowser was transformed from a fire-breathing turtle into a slick-haired industrialist, and the world he ruled was filled not with power-up mushrooms but with industrial catwalks and dripping slime. ![]() film tried to translate the cartoon goofiness of Nintendo’s video game into something more cinematic. Hollywood’s previous attempt at a Super Mario Bros. ![]()
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